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Alcohol: What's in it for Me?
Educational film regarding the horrors of alcoholism amongst teenagers. Formerly distributed by Perennial Education, headed by Henk Newenhouse.
White-Tailed Deer
Superb buck on ridge in deep snow 17:10:12 buck close up between trees 17:10:34 doe browsing barberry bush in deep snow 17:10:43 buck on ridge 17:11:14 buck deer on ridge eats weed stalk 17:11:45 superb buck on ridge in deep snow 17:14:04 doe in deep snow 17:14:44 handsome buck on ridge 17:16:45 handsome buck pose on ridge - super alert, turns and runs down hill 17:17:32 superb buck close alert, zoom out 17:17:56 button buck 17:18:09 buck flehmening, then alert 17:19:39 superb and button bucks in deep snow 17:20:16 buck eating weed stalks 17:20:22 superb and button bucks 17:21:11 buck flehmening, then pose in in deep snow
White-Tailed Deer
Doe digging bed in deep snow 17:27:12 handsome buck deer bound down hill in deep snow 17:27:43 tracks of doe bounding, then walking, in deep snow 17:27:59 squirrel tracks in snow 17:28:17 doe walking in deep snow 17:29:46 button buck walking in deep snow, then bounding 17:30:03 bucks running in deep snow 17:30:18 handsome buck in deep snow, seen running behind trees 17:31:11 deer tracks in snow, including scat 17:34:07 superb buck close and zoom 17:39:09 young deer in deep snow 17:39:59 two young bucks with nice antlers, social grooming and posing in deep snow
White-Tailed Deer
Deer trails in deep snow 00:00:42 White-Tailed Deer (Odocoileus virginianus) superb buck in deep snow 00:02:06 starving doe in deep snow, eating dry leaf 00:02:57 doe bedded in deep snow 00:03:28 starving doe standing in deep snow 00:05:31 young button bucks 00:08:28 doe digging bed in deep snow
White-Tailed Deer
Superb buck deer skylined, close, alerted 00:14:09 two bucks on ridge in light snow 00:14:27two button bucks on ridge 00:14:54 handsome buck on ridge 00:15:41 button buck on ridge closeup 00:17:05 superb buck alerted 00:17:40 handsome buck feeding, posing on ridge 00:18:55 big and little bucks on ridge
White-Tailed Deer (Odocoileus virginianus)
Tape 2014 Part 1 White-Tailed Deer (Odocoileus virginianus) Buck deer antler development (76 days) in spring/summer forest 02:33:14 buck antler development (55 days) 02:33:34 deer with 76 day antler growth browsing amidst foliage in forest
Raptors 1 - Bald Eagle
Raptors 1 - Bald Eagle
Sand Reclamation: A Science Of
ON PREVIEW CASSETTE# 97559 A 04.00.00 Pan antique drawing of workmen casting metal in ancient foundries; dissolve to montage of modern workers casting metal; preparing the mold; bags of fresh sand; shakeout of mold to free the casting and collect the sand; rain leaching chemicals from the sand to the environment; catalysts are added to sand for no-bake molding process; workman packs sand in the mold; finished mold is released from its container; super title over a black mold. Chemicals in laboratory; electron micrographs of sand grains mixed with chemical binders which must be removed to reclaim the pure sand; reclaimed grains free of binder; closeup sand pouring into mold; dissolve to ladle of molten metal and pull back to show the casting process. Animated drawing of sand handling process using heat; animated drawing sand washing process. Long shot molten metal pouring into molds. Animated drawing early mortar mill to prepare sand. CU mortar and pestle reclaiming sand by rubbing. Antique advertisement of Sand Cutter equipment to cut foundry costs. Early still photo workers with sand cutter. Dissolve to modern mechanical shakeout of sand after molding; dissolve to Brown and Sharpe foundry, Providence, RI, one of the first (1960) no-bake foundries in the country, with its huge modern foundry; worker moves large dirty casting by monorail onto turntable which goes into a giant blast cabinet. Dissolve to clean casting coming out of the swing-table cabinet. Foundryman Lou Greenslade explains the process as core knockout and sandblasting are performed simultaneously. Dissolve to TRW Mission Casting Facility, Houston, Texas, using furon-bonded no-bake sand in automatic molding lines. Exterior TRW plant and interiors of the casting lines; flaskless molds transferred to cleaning room; moved to 96" double door swing table blast unit, and 28 cubic foot Tumblast unit. Dirty casting goes into the unit; interior shot of mold being blasted (!) and clean castings coming out. Live and animated sequence shows recycling of sand for environmental good. Animation of centrifugal scrubber abrasive wheel, and sand-sand airwash separator. Tilt down sand silos to equipment at base. TRW vice president T. R. Cochran testifies at his desk, with montage summary of the equipment and workmen. Cut to Daigle-Aqua Founderie Montreal, Quebec, Canada. Montage of foundry process. Foundry manager Alain Casano (sp?) comments; montage, dirty castings on door turntable in and clean castings out. LS, sand pours into molds; CU control panel and LS machine. Pan Utah mountains, and exterior Backman foundry, Provo, UT. molding custom cast pipe sections. Elder and Angus Backman, identical twin owners, comment. Before and after shots of huge pipe castings. Aurora Vertiline casting center in City of Industry, California, working with phenolic urethane bonded sand to cast pump parts. Castings in and out of double-door swing table. CU sand fines, organics and metallics separated from reusable sand. Pan laboratory testing equipment as technician removes crucible from oven. Closing montage summary. Huge clean pipe casting comes to camera. Engineers discussing drawings of newer methods for the future. End credits. 650' sound color print on gray metal 800' reel in brown Plio-Magic plastic mailer, labeled. Frink (FFV2) has A & B rolls, track, orig overs, script, still photos, ancillary materials available.
Wheelabrator Ram Tunnel
A special ram tunnel auto engine block cleaning machine: test run in Wheelabrator's Mishawaka, IN plant per Carter Dreves. "FI on Wheelaberator logo. Dissolve to LS Chevrolet engine mockup of casting line in Wheelaberator test plant as motor blocks are prepared for blast cleaning. Camera moves in on engine blocks in cages on assembly line. CU blocks start to rotate (this is where the blast cabinet will clean the castings as they rotate when his project is installed in the Cevrolet plant); engine blocks spill onto cage line, and become part of line. Cut to CU mechanism which pushes each new block onto the line. Overhead shot as engine blocks joing line. Pan line to show engine blocks spilling out of the mechanism after cleaning is completed. 4 minutes to here. CHEVROLET SPRING PEENING SHOTS FOLLOW: FI on pairs of relaxed Chevrolet auto springs in special trolleys, moving into the assembly line. Side view as springs are flexed for peening by Wheelaberator shot blast. After peening is complete springs are relaxed and move out to make way for next set incoming. (This is a test mockup; springs are not actually peened here) Dissolve to W/A logo. " Frink has original film, overs and ancilliary materials.
Spirit Of 76 Tumblast
9 minute16mm silent color film on special model Tumblast for Lebanon, PA foundry per Carter Dreves, WFI adv "FI on open titles and logo (SPIRIT OF '76 in patriotic red, white and blue) and dissolve to metal parts churning in the Wheelaberator Tumblast abrasive cleaning machine. Dissolve to control panel. Cut to LS of machine, as man pushed empty cart along rails, placing it before the machine. The operator steps to the control panel and opens the Tumblast door. As the door slide upward the camera moves in to CU of cleaned parts; the conveyor belt reverses and the cleaned parts spill onto the cart. Camera pulls back to full view again, as the operator moves the filled cart out of the picture. Cut to crane loading totebox of dirty parts into Tumblast hopper. Crane's jaws bring more parts into the hopper. LS as operator empties parts into Tumblast. Insert of control panel and LS as hopper is lowered. Operator directs audience attention to unit interior, then, in side view, shows conveyor belt detail CU. Interior shot as the conveyor belt moves to rotate the castings. Different view of the hopper loading the Tumblast. CU hydraulic jack mechanism as the hopper is lowered. SPIRIT OF '76 design is emphasized. End credits." Frink has A & B rolls, track, orig overs and ancilliary materials.
Tremont Nail Manufacturing
Old fashioned square nails, and modern nail manufacturing with the help of Wheelabrator blast equipment, Tremont, Mass, per F. Carter Dreves. "Fade in on Wheelaberator Frye logo; dissolve to Tremont Nail Co., Wareham MA logo over shield: established 1809. Camera pulls back to show the sign is on the driver's door of a red delivery truck, with another sign on its side: The Company Store: Visit A Step in the Past. (NOTE: Tremont Nail has been making square cut nails since Revolutionary War days, and still makes them with the original equipment). Camera follows the truck as it drives to the manufacturing building with a sign on top, reads, HARDENED STEEL NAILS. A second take (shorter) from ECU sign on truck to the full exterior plant; camera zooms in to factory entrance. Cut to display of cut (square) nails with caption: HISTORY OF CUT NAILS IN AMERICA. Pull back to see display is held by two men, and pan the factory building. Cut to foliage, pull back to cupola and then to entire building with waterfront and smaller buildings, Early American architecture. Cut to fancy antique sign, TREMONT OLD FASHIONED NAILS and plaque below, THSI PROPERTY HAS BEEN PLACED ON THE NATIONAL REGISTER OF HISTORICAL PLACES; camera pans to door and shows interior of the factory on the lower level, with several nail-making machines in operation, tended by one operator. Cut to CU operator changing strips of metal which are being formed into nails; removes metal stub and replaces it with new strip; puts the strip into the machine's mouth which turns each strip over and over every time, it cuts off a tapered nail, to eliminate waste metal. Camera pans the four machines showing loading, cutting finished nails falling into toe boxes, reloading in a continuous sequence. Cut to red hot nails in annealing oven; the hot nails spill out into water tray below. Two other views of a different operator tending machines; note the pulleys and flywheels, as well as the antiquated--but still operational--machine design. In modern times there is a limited market for square-cut nails, but there is a market, and Tremont still makes them. Cut to different operator feeding larger machines with larger flat stock; tilt to finished nails falling into tote box, and move to CU's of the machine action. Cut to montage of overhead pulleys and belts that furnish power to drive the entire machine room; pan lerger machines as operator loads wider strips of metal for fabrication. Another montage of belts, pulleys and flywheels. Cut to operators face as he tends the machines. Cut to wide metal flip-flopping as it is cut; CU finished nails. View into mouth of machine as metal is being fed into it. CU of metal cutting. Pull back to wide view of wooden pickling plants, covered with chemical rust. Tilt to signs above tanks: ACID, WATER, and LIME. Reverse take, from signs to tanks. END OF NAIL MANUFACTURING SEQUENCE. THE FOLLOWING SEQUENCE IS NOT RELATED. Cut to exterior metal building, showing Wheelaberator dust collector and duct work. Pan to building front, with Tremont Nail Company store truck in front. Cut to interior plant, with forklift truck lifting completed 4'x4' panels from the Wheelaberator delivery stack as workman clears the next stack for pickup. Camera pans the machine and control panel. Cut to lift loading two stacks of panels into the Wheelaberator. Operator starts the machine. Cut to end view as vacuum cups pick up a panel to feed it into a machine. Pan to delivery end, as completed panels are stacked. Last shot shows pickup of panel for entrance to Wheelaberator. "
Variations In Space: The Architectural Sculptures of Richard Lippold
Part 1 on preview cassette 222273A, Part 2 on preview cassette 222273B. VARIATIONS IN SPACE: THE ARCHITECTURAL SCULPTURES OF RICHARD LIPPOLD 2 hour 16mm color sound film, started ca. 1976 and completed in 1986, this is a series of four thirty minute films: Part I NEW MOONLIGHT shows how Lippold became a sculpture, and his early work, including a detailed discussion by Richard on the sculture that defined his carrer--NEW MOOLIGHT. Part II THE SUN gives the hsitory and development of Lippold's masterpiece: Variations on a sphere No. 10, commissioned by the Metropolitan Museum of Art, NYC. Part III THE FOUR SEASONS further develops the architectural sculptures, with emphasis on Lippold's work with master architects, and culminating in The Four Seasons resaurant in the Seagram Building, NYC. Lippold's works around the world are summarized and shown. Part IV WINGS OF WELCOME shows the sculptor in his 80s still actively at work, and follows one of his latest works in the atrium of the Milwaukee, WI, Hyatt hotel. The film concludes with Richard summarizing his life and work while sitting beside MAN, a self portrait in sculpture, and the end titles summarize and locate the scultures shown in the film, and are accompanied by Richard playing the organ he has sculpted in his Long Island studio. This film was planned for public television, and was completed with their encouragement, but in the 10 year period I spent making this film, public television lost interest, and to date the film has never been publicly shown. Richard also changed his viewpoint, from original encouragement and enthusiasm, some financial support, and praise for my editing as we met over the years to shoot, record and screen sections for him, to a request that the film be extensively recut, and sections he felt did not do him full justice be deleted, and finally, after a screening in his own studio with a few friends, and after receiving a copy of the completed film, and a (July 1979) 30 minute 16mm sound color print of an early version, and repeated requests on my part to reedit a second version to his desires, he has shown no interest in the project. Without his support, and without interest from Public Television, and with no interest from educational filkm distributors since government cutbacks in educational film funding, and with other projects occupying my time, I have put this film aside, with regret, and hope someday to reintroduce it to the market. My intention from the beginning was not to produce an art film, but rather to show persons who are not artists what it is like to be an artist, and how one man decided to become an artist, and hiow he achieved his goal. In short,m a film of general interest to a wide audience, and to give the viewer a new viepoint. What it taught me instead is (1) I can make a 2-hour documentary film which maintains an interesting point of view throughout, (2) it is futile to invest time and money in a project for which there is no demand (3) get a commitment, not a promise, when starting a new project for Public Television. It's a good film, though.
Wfi Caterpillar Ram Cage Tunnel Machine
A special Wheelabrator blast unit used by Caterpillar Tractors. "This is ORIGINAL ECO film. Open with WFI logo. LS Caterpillar plant with Wheelabrator ram-tunnle machine. Close in on operating machine. Side view CU as yellow engine block goes into cabinet. Cut ot front view engine block; it's picked up and transported on conveyor belt. The block enters the cabinet. Low shot conveyor mechanism under block. CU elevation of block. Side view block moving. End view blocks on conveyor. View of the unit. Camera pans the line. View of cabinet EXT. CU piston action. INT red cabinet where blocks are blasted. Blocks are pushed through the tunnel. View of hydraulic tubes. LS electrical panel, pan workman with plans. LS engine blocks in line. Engineer adjusts controls. High shot, pan mechanism. INT shot of blocks rotating in blast chamber; blocks are pushed through; CU rotation and engine blocks. Note openings for shot blasting. Huge fork draws engine block out ond onto a conveyor. Pan INT as claw removes another block. Pan hydraulics. Low view of claw. Overhead shot as operator removes block from conveyor. Second take and pan to blocks coming onto machine. Tilt u to Wheelabrator sign. Block is spun. LS of machine. Camera follows twisting hydraulic tubes. Engine block is rotated and moves out to claw ejector. Repeat shot as block is ejected, moves to claw, and is pushed to conveyor belt. WFI logo." Frink (FFV 3) has no print of this... this is the original... Frink does have outtakes, and FFS-AA1220, FFS-AA1285 and FFS-AA1296 are also of this operation, in intial testing setup in Mishawaka and in final operation in the Caterpillar plant. Some of those also show RAM CAGE operation.
Trident Submarine Hull Cleaner
Wheelabrator demonstrating a ship hull cleaner on full size mockup in Elk Grove Village, IL at Barnes & Reinecke plant. "I am submitting (1) 16mm original reversal and (2) 1" video master of that same film. Opens with Wheelbrator logo. Cut to EXT shot of the submarine hull cleaner being towed inot position next to the full-size mockup hull to be cleaned. The unit come to the cam and passes by, showing its full configuration. Worker with phone line watches it from the side. Line is connected to unit's cab. Cut to driver's position, with unique computer control panel. Operator climbs into the cab and begins to move the cleaning head. Cut to continuing scene as arm is extended. Tilt D thearm to the machine. Sky shot of the cleaning head, coming down. The head is rotated to various angles. CU same. The ckeaning head is rimmed with the steel shot picked up and held by the electromagnets. Cut to another view of the tilting head on the arm. Cut to wheels being turned, to show how the equipment can be crabbed and crawled into tight positions. Control box, with worker opening the door to show the INT components. He makes adjustments. Full view of the entire machine. Ground level shot of the side, showing the anchors extended to stabilize the base of the unit. CU of one stabilizer being retracted. Swing to front wheel, then to cab. Side view of the unit moving-- crabbing-- inot position for cleaning. The arm is pulled away from the hull mockup and lifted. LS as the unit is extended; the cab is now seenon its boom arm, and the cleaning head is retracted form the hull. Cam pans over to cleaned strip of hull, with paint and rust removed. The head is lowered, and put into position to clean from base to top. Cam zooms slowly to the had against the hull. The head is now moving up the side, leaving a clean swath below. LS, then MLS as the head is now halfway up the hull side. Pull back to wide shot of entire operation. There is no pollution from this cleaning, as there would be from conventional sandblasting; the metal pellets of the abrasive wheel are picked up by the electric magnets, and dust, scale, paint, etc are vacuumed into waste hoppers for removal. The unit is now at the top of the mockup. CU and pull back. Cut to another LS and tilt U, with head at top. The operator is now seen in relation to the cleaning head. Zoom in on operator and pull back to show the head, now cleaning in a downward path. Zoom into the cleaned section above the head. Cut to ground shot and tilt U the snorkel boom arms. Move in to ECU the head, and see the motor underneath, driving the blast wheel. LS as the head is halfway down. Zoom in to CU the head cleaning. LS and slow zoom in to the cab and cleaning arm as it completed the pass. The ehad is repositioned and lowered. MCU the wheels, and the stabilizers being lifted to move the unit. The unit now moves away from the mockup. Side view of the unit as it crabs inot position to clean the smaller radius hull section. CU of that operation. Zoom in and lull back. Wide shot of operation in cab and cleaning unit at the top of the hull. CU cleaned path. MS as the unit is folded for transportation and pull back to see it driven off. WFO logo, end." Frink has (FFV-8) ONLY a VHS copy, and very little ancillary material. This was shot as a documentary, unscripted, and never completed.
Wheelabrator Chevrolet Spring
Wheelabrator unit to temper auto springs by peening with shot
Brown Bear ( Grizzly Bear ) Fishing & Eating
Brown Bear ( Grizzly Bear ) Fishing & Eating
Brown Bear ( Grizzly Bear )
Two bears playing and wrestling at falls 02:52:45 CU bear's belly packed with 150lbs. of fish; he staggers a bit and lies down to sleep on rock in river 02:53:35 three bears on top of falls, one catches fish, one bluffed off 02:54:01 CU diver bear sleeping on rock in river 02:55:03 CU bear fishing, head under water 02:56:06 diver eating; little bear on bank of river wants to, but dares not approach too close 02:56:59 bear eats salmon on rock
Brown Bear ( Grizzly Bear )
Bear fishing atop falls, salmon jumping, but he misses them 03:03:06 same, bear catches one 03:03:25 bear walking and plunging in after fish, watching underwater 03:05:24 two bears at falls, one catches a salmon 03:05:33 diver bear eating salmon 03:10:05 two bears at falls, top and bottom 03:10:33 diver catches fish, lets it go after chewing on it for a while 03:11:31 same, eats it, closeup
Caribou 1
Bull caribou gets relief from heat and insects by bed on snow 14:06:22 Front feet, note very long dew claws, which look like ladies' pumps 14:06:36 Hind feet, note very long dew claws 14:07:28 CU Eye 14:08:41 Velvet on growing antler, shovel and tip 14:10:01 WS mountains and plain with caribou trails, centuries old, visible across tundra
Caribou 1
Two bulls trot, watch back for wolf
Caribou 1
Big bull in velvet on ridge 14:24:26 Big bull, velvet peeling, bedded close 14:24:55 Big bull in velvet feeding, lies down 14:25:15 Cow, blind in left eye, lies down 14:25:39 Big bull, velvet peeling, close 14:26:09 Big bull, velvet peeling, other bulls, vista 14:27:00 Big bull in velvet, new winter coat 14:27:08 Big bulls trotting, vista
Wheelabrator Boeing Cleaning/ Peening Machine
Special machine for Boeing, being in Mishawaka plant per Paul Noeth. "FI on Wheelberator-FRye Inc title and logo; logo zooms to fill screen. Cut to LS full view of the special 4-wheel peening machine; a man in a business suit walks past the machine.Pull back on computer screen to see the Aleen-Bradley control panel, with operator punching information in. Lights come on and he walks back to the computer screen, punches data in. CU data information. Camera pulls back and we see his hand making adjustments on control dials; pull in on screen as morer data appears. MCU control panel; tilt D to punched tape unit. The operator opens another door on the control cabinet, exposes the word DRIVE. He closes the panel. MS the panels as man opens one of them, camera tilting D to CU detail of equip. Cut to pan of all the panel doors open, exposing the wrokings; zoom in tight on wiring harnesses. Cut to camera moving in to ECU Wheelaberator-Frye Analogic control and CU the digital readout. Cut to MLS the entire peening unit; camera tilts U to top, and moves in on detail, and down cabinet front again. Cut to rear view of the unit, camera tilting U; part of the machinery is moving up (whihc moves one of the blast wheels up and down the titanium wing, as we will see later). Cut to CU, side view, a door is open and we see mechanism moving (this will adjust the blast pattern); a graduated dial is seen. Cut to MCU INT view, the red hardened steel side of the cabinet, and a Wheelaberator blast wheel, with its gray motor and red-rimmed mouth. Pan to a second blast unit and now the first unit is seen rising and swinging from a different blast pattern, as the orifice for the steel shot swings; camera tilts U and D to show the INT of the cabinet and the mechanisms that raise and lower the blast wheels. Camera pans R to L, and we see the other two blast wheels lowered on their supports; it starts to rise, and camera follows its lift; we see the rotating blast wheel; camera tilts D, over and up so all 4 blast wheels are in teh shot. Cut to CU one blast wheel, begins to rotate. Cut to full shot, EXT view of cabinet; tilt U and zoom in to one of the blast supports rising. Cut to trolley mechanism moving in front of cabinet." Frink has orginal footage, overs and ancillary material.
Wheelabrator Resomatic
Preview Cassette 221128 A Testing a special demonstration unit for the Foundry Show "FI on Wheelaberator/ Frye logo, zooming to cam: diss to pan shot of aluminum and alloy castings, cut in half to display the sand-filled castings before cleaning with the Resomatic machine, and the clean half of the castings after cleaning. KEN OWENS narrates. Cut to LS of foundry with stacks of castings. Pan to CU of castings pile. Cut to LS, tilt and pan the Resomatic unit. Cut to workman walking into frame, starting the machine, donning asbestos gloves and picking a casting. Cut to man placing casting on machine for cleaning, stepping back to get another. He starts the machine. Cut to shot of 2 men loading the unit at both ends, to simulataneously clean 4 castings. The second operator starts the machine; tilt D to CU of parts vibrating; foundry sand and scrap metal pieces fly from the dirty castings onto a conveyor system below the grate. Norte large sprue flying out to be discarded. CU of an aluminum intake manifold being cleaned in a horizontal fixture; core sand starts to flow. Pan to timer clock and back to cleaning. CU cleaned metal part, as light swings back and forth to show every corner. Zoom in to CU Resomatic logo." Frink (FFV6 00:06:45) has A and B rolls, script, mag track, overs and ancillary materials.
Wfi Sciences Wet Bottom Precip
Animated film for air pollution control demonstratng the process, per F. Carter Dreves "FI on WFI logo, pull back to add main title: WHEELABERATOR FRYE INC AIR POLLUTION CONTROL DIVISION PRESENTS WET BOTTOM PRECIPITATOR MODEL STUDIES FOR THE PULP AND PAPER INDUSTRY. FO/FI on overhead LS of a large table top water tank with complicated mechanism driving stirring paddles, as a man in a lab coat watches the stirring paddles; cam pans entire set up. Cut to eye level shot as operator approaches the setup and cut to side shot as he flips switch. He flips another switch and approaches control panel. Shot of man taking notes and checking a flow barrier baffle. He picks up a flask of red dye and shakes it. Cut to him moving with the dye to the water tank and camera moves in to CU water and stirring paddles. Cut to lab man with pipette putting red dye in water. Paddles are now stationary. Man places drop of red dye in front of paddles, the water and dye mixing. FO/FI on high shot of tank, with stop-watch timer recording seconds in upper left. Technician adds dye, clock starts, and after 30 secs the red dye is absorbed. FO/FI two baffles have now been added, dye is placed, paddles start. In 12 secs the dye is absorbed. Cit to low angle of same, no timer, title: NO BAFFLES. Dye is added in several places. New shot, showing more of the setup, dyes in place, more added. Paddles are stationary. CU of red dye area as paddles start. Pull back to see the dye dissolving, slowly yet efficiently. Cut to overhead shot as technician makes notes. Paddles are moving. Cut to new shot with title: WITH BAFFLES. Paddles rotate, dye is dispersed more evenly and the solution darkens overall. Super end titles and Frink production credit title. FO" Frink (FFV3: 3:54:51) has A and B rolls, ancillary data, outtakes available.