Doe giving birth to fawn in forest 16:33:20 buck antler development (72 days) 16:35:07 buck with fibrous tumors 16:36:19 buck's antler development, three animals feeding in pond, others join them
Buck's antler development, feeding in pond (52 days)
Pregnant doe feeding in pond with geese 16:43:56 buck antler development (56 days) 16:44:12 very pregnant doe feeding, fords and browses 16:47:00 two bucks feeding in pond 16:47:43 doe feeding amongst yellow flowers
Doe, in closeup, chewing cud -- see it come up throat
Young buck with fibrous tumors 16:53:07 pregnant doe feeding on herbs and grasses
Buck deer in velvet grooming tail
Buck deer in velvet, antlers starting to grow 16:55:14 same, browsing on forest floor
Buck deer in velvet, antlers growing 16:56:46 same, close view of antlers
ON PREVIEW CASSETTE # 991537 G Fade in on long shot aerial landscape with Skamper trailer on the road. Main title FI and rotates. Cut to Eldon Lundquist as the TravelMAster, about to lead a covoy of campers to the campsite, gives a high-sign and starts the convoy moving. Aerial shot as the group pulls into a side road. Eldy describes different units as they pass the camera. Aerial as the units pull off the road, and camera zooms in to a huge sign THIS IS SKAMPER COUNTRY. The units line up in a circle around the display and the plane circles the group. Eldy stands by the sign, an waves up to the aerial camera. Cut to ground shot, Eldy, looking around. A fold-down unit is unfolded, and the side walls pulled out to form a large tent on the trailer body. Cut to man with dog walking into a full trailer 10' truck mount unit. Eldy inside, points out the interior featurres, ice chest, etc. Eldy emerges from the unit, and a woman artist, panting a picture, and her husband, are seen beside another unit. Interior of a tent unit, and exterior, as photographer takes a snapshot of a child on a swing. The double dinette model feeds as many as it sleeps. Children and mother in the unit having breakfast. Cut to another interior, with boy in forground. Another smaller double dinette, with family relaxing outside, and child on tricycle, as Dad carries another child on his shoulders, and mother sits in a lawn chair. Pan to group of children, with hula hoop, and games. Exterior and interior of a unit with three people in front. Another larger unit with family, and interior view. Cut to guitar player, singing the song that opened the film. Children pull a wagon with two children. Zoom in to ECU the children, and up to Skamper logo and people. Last shot of Eldy, the TravelMaster, looking around as camera moves in to his badge: LETS GO SKAMPERING. Return to aerial shot, circling the full campground and circle of trailers, and diss to revolvng main title. 450' 16mm sound color print, somewhat faded but OK, (and A and B rolls are NOT faded) on gray metal 600' reel, in gray MPE 16mm film can. Frink (FFV 5) has A and B rolls, mag and opt tracks, overs, script and ancillary materials.
Historic Inns - Stockbridge, MA 01:00:32:- EST shots of St. Paul's Church. 01:02:19:- EST shots of the Red Lion Inn (front, sides, back, etc), est 1773. CU's of street sign in front of building. 01:11:43:- CU's of a stone lawn lions outside the Red Lion's main entrance. Cut to more EST shots, more CU's of signs. 01:14:25:- tight LS looking down a Stockbridge street (quaint New England small town street). 01:15:00:- more EST shots of the Red Lion Inn. 01:16:24:- INT shot of Rm 240 in the Red Lion Inn. Yellow, very yellow. Colonial-meets-Gatsby. 01:22:05:- MS of the back stairway at the Red Lion, tilt U to landing where a loom rests and antique paintings hang. 01:24:54:- CU of a mounted lion's head. 01:25:33:- INT shots of a bed and breakfast room in the Red lion. 01:30:01:- INT shots of Rm 102 (a special room as it has a large canopy bed). BREAK IN TBC 02:00:31:- INT shots of Rm 102 again. 02:01:34:- INT shots of Rm 331, a room with a suite. Tacky patterns on both the bedspreads and wallpaper. Yuck. 02:05:00:- INT shots of Rm 202 (a parlor with a European flair). Lots of coverage here. Shots of bedroom as well. 02:11:07:- INT shots of the elegant (yet small) dining room. 02:16:42:- MS's of an older couple sitting at the Inn's bar, talking w/ the bartender; zoom out to wide shot of the tavern. 02:20:24:- CU of an overhanging sign, reads, THE WIDOW BINGHAM'S TAVERN; tilt D to resume former shot. 02:23:25:- INT shots of the famous Treadway Room (very yellow, and in a colonial style). 02:26:27:- CU of a pen and ink illustration of Theodore Roosevelt. 02:26:34:- END OF TAPE
ON PREVIEW CASSETTE #991477 Fade in on Mark Thomas playing the flute in a room with classic flute player painting on the wall over the fireplace. FI titles. Mark sits down, and cut to ECU Mark: he puts tghe flute down and starts his lecture by pulling cleaning rod and soft cloth out of the case and threads the cloth through the cleaning rod. He reverses the rod, and camera goes to ECU mark on the cleaning rod. He shows how this mark should appear in the blow-hole, to tune the flute properly. Mark picks up light weight flannel cloth to polish it. Use no abrasive, he warns. He polishes the head joint with the cloth. He picks up flute body and shows the fingering mechanism. He points out lubrication points. He next inserts the head joint into the body. CU Mark's face. He adjust head joint and aligns the instrument. Pull back to LS, and he leans over to hit A-440 pitch tone bar. He shows how to adjust the pitch. He assembles the foot joint to the body. CU his fingers holding the flute properly. Cut to painting of flute player as camera moves to show how Mark matches the boy in the painting. LS as he stands, puts the flute down, and sits. He demonstrates an exercise--hands on legs forces him to use the diaphgragm muscles. ECU his face. MS as he explains breath control. Title EMBOUCHURE supers, as Mark explains, pointing to his lips. He blows through small straw to practice. ECU lips with and without straw. MS as he puts down straw, move to ECU his face as he points to jaw position. Finger across bottom lip. His hands demonstrate the air flow. Full head: he touches upper lip and then bottom lip, and then pracrtices with finger on lower lip. Shows chin and jaw functions, re the flute blowhole. CU his mouth with two fingers at corners; demo of mouth and flute embouchure. LS as he removes head joint and places it to his lips. Replaces the head joint. Puts flute down. Mark stands up and moves to flute display on the wall. He explains attack, using the word PURE (supered) and shortens it to PU, then to DU, or TU, each illustrated. He illustrrates with yawn, the relaxed jaw. Picks up flute, and plays 4th line of D natural. Cautions against moving head or flute out of line. He sits and places flute on left shoulder, and looks at fingering chart. CU face. Mark now demonstrates several flutes. first the C, which he has been holding, then the bass flute in C, the alto in G, the little E flat soprano and the piccolo in C. Mark stands at fireplace, moves toward camera, discusses single and double tongue atack. Art work illustrates this, with staffs, and finally the triple tongue, TU, DU etc. Back to Mark holding flute, illustrating flutter tonguing. He demonstrates. VIBRATO title as Mark explains that this is frosting to the cake. He plays tone without vibrato; then with vibrato. Illustrates diaphrargm support and vocal box use. Mark coughs into flute, then plays connected crutch, and increases the tempo. Camera zooms to metronome at 72. ECU Mark face, MS. He plays a sample of "America". Still on vibrato. Cut to statue of the god Pan, the first famous flutist. Claude Debussy's SYRINX music placed beside Pan. Final statement by Mark, and ECU his face. He turns to fireplace and lights the fire, as end titles come on. Fire starts, he picks up flute, and plays the Claude Debussey piece. Camera closes in on PAN and the fire in the BG, and fades to black. 900' 16mm color sound film on gray plastic reel in 1200' brown plastic shipping case with "W.T.Armstrong FLUTE PLAYING: A Study with MARK THOMAS: and Frink Film Studio" embossed on the case. Frink (FFV-5) has A and B originals, overs, mag and opt tracks and ancillary materials. (This print is somewhat faded, but not too bad. In any case, the A & B rolls are NOT FADED)
Wheelabrator's new shotting process to produce uniform steel shot for industrial blast cleaning "Cut in on a view through the manhole to the water flowing through thepit where a Wheelaberator blast wheel will break up a flow of molten steel into many circular pellets (Like BB's) of varying sizes, whihc will then be screened to sort, and later hardened into various type of steel shot for blast cleaning of parts in Wheelaberator shot blast machines. Cut in on the cauldron where the molten steel will be poured. As the cauldron is lifted out we see the action of the water and the rotation of the pot. Camera circles it to show the interior. Pull back to LS of the under-the-floor operation; the water pit where the steel shot is cooled, and the ladle area. Cut to LS as the molten steel in the electric arc furnace, pouring down a long tube into the now white-hot pit. LS of the molten metal pouring inot the pot. Many sparks, and the flow of molten particles from the blast whel. CU the molten steel shot forming balls as it is Wheelberated. Man tests the temperature of the molten metal. CU sparks as the pellets are formed in the air and fall into the water. Detail of the spinning action as the balls are formed. LS of workmen on the floor watching and working the melt. CU the cauldron and pit, the pot and the flowing metal particles. Pull back to LS, and to men studying the flow. Down to the molten metal and flying pellets. Pull back to LS of the electric furnace, the men, the pit. CU molten steel flowing. CU metal pouring into the pot. LS as the melt is completed. LS fiery pit and zoom into the metal particles. CU molten metal steel pouring into the ladle. CU hand holding the metal balls. CU magnet lifting the pellets out of the solution. Workman displays the finished mix of varying sized pellets. CU of the magnet holding the particles from the water bath." Frink has original reversal footage, and some ancillary material and that is all. This film was never edited, and a soundtrack was never made. Some components were used in other Frink films regarding the Wheelaberator Steel Shot Blast Cleaning process.
Holiday Rambler 1973 - Royal Holiday Travel Trailer This promotional film with boastful narration captures the glamorous essence of owning a luxury Motor Home in the early 1970s (RV, Recreational Vehicle). Besides the classic wood-panel interior with mustard yellow accents, this film features your typical empty-nesters experiencing life on the road in modern comfort.
ON PREVIEW CASS 98053 Fade in on abstract action and sound as (1) Liquisonic (ultrasonic) cleaning liquid starts its cleaning action; cut to (2) Orboresonant cleaning by vibration,and closeup vibrating action of the (3) Dual-Shaft Vibrator, a third way for industry to clean metal parts for manufacturing. Main title. Plant interiors of the Hand Tool Division of Dresser Industries in Defiance, Ohio; long shot of two 23 foot dual shaft Wheelabrator vibrators; CU deburred end-wrench forging, Ron Shrum, plant manger, inspects and comments as camera cuts to detailed action shots cleaning the wrenches. Animation shows action of dual and single shaft machines. Dual shaft high speed unit smooths and radiuses large cast iron cooking kettles at Lodge Mfg. in South Pittsburgh, Tennessee. In Wheelabrator's Mishawaka, IN plant, the largest vibrator ever built, a 50-ton, 16 foot tall vibrator for Westinghouse deburs and radiuses the more than 12 thousand holes in each giant tube support sheet for nuclear powered boilers; camera follows this unusual action in long shot and closeup. Transition to Orbo-resonant cleaning unit, with 100 to 300 vibrations per second, induced by vibrating a steel beam at its resonant frequency, for interior cleaning of automobile transmission and differential parts, and similar. An Orbo-resonant machine at Racine Rex in Racine, WI, cleans interior passages of valve bodies. Camera shows parts immersed in twin tubs of media, as vibrations fluidize the media and clean the parts. Liquisonic cleaner uses yellow liquid (first seen in abstract at the film opening, and now shown in detail) to clean large auto transmission housing. Camera shows before and after cleaning details. Summary montage of the three types of cleaners. 400' color sound 16mm film on gray plastic reel in 400' Plio-Magic brown plastic Frink Film Studio mailing case, labeled. Frink (FFV2) has A & B rolls, track, orig overs, script, ancillary materials available.
Fade in on driver and his wife in a Skamper motor home, Two shot. They are discussing the rally they are about to attend at the Golden S ranch in Monticello, KY. Cut to titles and credits. Overall shots of campers arrivng, parking their vehicles, eating, evening arrives and choir sings "Little Brown Church in the vale." Night shots of tents and campers. FI on pan shot of entire camp area, filled with units; reverse pan and zoom in to CU Skamper unit. Woman cooks breakfast. Family eats. Pull back to LS group. Hobby items--telescope, bicycles, etc. Familes sit in front of their trailers. CU signs. CU folding camper; pan travel trailer; ECU flowers in front of fifth wheel unit; and pull back to show motor home. Camper with straw hat decorated with insignia. American flag flies in front of a trailer. Swap shop time, as the campers browse the displays of items for swapping. Children play in the pool. Girls on horseback. Pan shot of the campsite. CU AMF Skamper new signage. Campers tour fifth wheel unit, ext and int shots. Series of individual trailer units, interior and exterior shots. Slide-in truck units shown, with overhead bunk areas. Folding campers shown, in and out. Display of group with roofs removed to compare layouts. Folding truck mounts, in and out. Model of new motor home. Interior shots motor home and mini-motor home. Display of literature on the Skamper trailers. Children walk across the area, and meet the Skamper president who autographs their programs. Display of sports equipment prizes and awards. Child with basketball, dribbles; group on horseback, pan to archery demonstration. Pan crowd. Archer makes three bulls eyes. Boy on swing. Group on flatbed haywagon for tour. Single boy catches up with group. Horsemen through trees. LS group on truck through field. Boy slides down pool slide. Night shot full pool with swimmers. Square dancers. Night shot. Morning dawns, LS pan full area, CU on trailers and campers. Girl runs through wheat field. Seated group listen to Pat Patterson, leader. Group waves to camera, and walks by. Unusual western costuming. Girl and spectators watch. Campers in costumes parade. Camera zooms in on barn as owner leads group through the camp. Colt with mother. Colt follows as mother is led around the group. CU speaker in straw hat. LS horseman talks to group. FO. FI morning pan of the area. Steak dinner is cooked outside and served to all. CU and LS diners. Sunday service atop the hill overlooking the campsite. Final montage summary. 800' 16m sound color film (beginning to fade, but the A&B rolls are OK) on gray 800' metal reel in 800' brown plastic mailer. Frink (FFV 3) has A nd B rolls, orig overs, mag and opt tracks, script and ancillary materials.
Exploitation. Drugs. With Dave O'Grien, Dorothy Short, Warren McCollum, Lillian Miles, Carleton Young, Thelma Whitel. The granddaddy of all worst movies, one of the era's many low-budget Warning! films depicts (in now-hilarious fashion) how one puff of pot can lead clean-cut teenagers down the road to insanity and death. People Kissing passionately. Miles' frenzied piano solo is a highlight, but in retrospect, the overall effect is a little sad. Originally title "The Burning Question", then "Tell Your Children."
Calf and cow browsing in high willows 15:04:06 Calf and cow feed in pond
Cow feeds in water - medium and close up views
Huge bull moose in velvet browsing
Huge bull in velvet feeds in pond - immersed in water, he comes up grandly, resubmerges, looks towards camera. He walks out of pond and away, then breaks into a trot 15:33:44 Huge bull in velvet - browsing
Cow at beaver pond, large pile of dead wood at shore 15:41:54 Two yearling moose swim in pond
Preview cassette # 213135 Four engined airplane lands, camera focused on wheels as its 16 tires hit the runway. Overhead long shot of airport runways as another 4-engine plane lands at 100 miles per hour, tires smoking. Montage of several planes landing. Main titles super on a long shot of the criss-crossing runways. Cut to group of men inspecting runway concrete and rubber. Animation of cutaway drawing of Wheelabrator steel shot blast method. Long shot O'Hare International airport, Chicago, tire-blackened runway in foreground. Cut to group inspecting the original test model Wheelabrator Blastrac Environmental airport runway cleaner in action at O'Hare. CU hand with knife scratches through the rubber buildup to clear concrete. Zoom in on clean concrete as hand rubs over it. Cut to machine removing rubber, leaving clear concrete behind. Overhead long shot of runways with the Blastrac unit cleaning white strip down the middle. Cut to Weir Cook Indianapolis airport, truck in foreground. Long shot cleaning unit cleaning strip. Pavement testing car, with test equipment trailing, passes camera. Close-up operator making test photos. Group inspects the machine in action. Blast unit circles and comes to camera. Cut to full sized custom-built trailer and tractor environmental blasting unit. Cut to night shot, unit blasting when traffic is lightest. Nighttime cleaning of runway 32 Right at O'Hare, w/closeups cleaned areas. CU operator's monitoring view of the cleaning action. (9 tons of rubber removed from 32Right and 22Right at O'Hare.) Long shot, trailer and tractor, Environmental Runway Conditioning equipment. Camera circles the equipment in action, with groups of men inspecting. Pan busload of men inspecting. Moving camera shows cleaned runway. Insert shot high speed camera showing tire hitting runway. B-27 lands. Closing montage summary, titles supered over night shot. Planes land at night. End credits. 400' color sound film on gray plastic Goldberg reel in blue Plio-Magic 400' mailer, labeled. Frink (FFV2) has A & B rolls, track, orig overs, script, ancillary materials available.
Industiral film about cleaning agents for the shipping industry produced by Wheelabrator - Environmental Ship Hull Cleaning - Materials Cleaning Systmes Division.
A Blastrac is a portable, movable blast cleaning unit made by Wheelabrator Frye. Per R. E. Schalliol, Adv Mgr. "FI on Blastrac logo; it zooms full screen. Dissolve to MCU the Blastrac florr cleaning machine, with operator ahead of it, leaving a clean, wide path in a dirty floor. Narrator: THE BLASTRAC ENVIRONMENTAL SURFACE PREPARATION SYSTEM IS A SELF-CONTAINED PORTABLE AIRLESS SHOT-BLAST UNIT DESIGNED FOR ENVIRONMENTAL CLEANING OF HORIZONTAL CONCRETE SURFACES." Camera moves in to ECU cleaned concrete, then to LS of machine and auxilliary dust collector, the two machines connected by a vacuum hose. Three men are operating this rig. Narrator explains the unit is self-propelled forward or backward by an electric motor and can be operated by one man. Dissolve to unit now turned around and coming to camera, cleaning a second path parallel to the first. TRAVEL SPEED, narrator says, IS 1 TO 37 FEET PER MINUTE AND THE PATH OF THSI MACHINE IS 20" WIDE. Camera moves in to show the cleaned path and the fact that no shot, dust or debris is left on the floor. Camera zooms close to Blastrac logo, then moves down to ECU of floor and unit front. Dissolve to animated sequence of cutaway of Wheelaberator centrifugal blast wheel. Narrator describes the action. Cut to cutaway drawing of the floor cleaning unit; animated arrows follow the cleaning cycle. Cut to MCU as the unit cleans a painted floor and yellow plastic striping tape to bare concrete. Cut to one man operating a smaller unit, cleaning the edge and around pipes of an office. Cut to LS of this edging operation. Cut to hand rubbing across a cleaned floor next to a painted section; zoom down to ECU of the cleaned surface. Cut to larger machine coming to the camera, with operator in FG, and two men kneeling in BG; camera lifts to show that a large area of the floor has now been cleaned. Camera pans and tilts to show cleaned area, the machine in operation. Cut to machine coming at camera. Cut to tight shot cleaned concrete. Diss to WFI logo; logo zooms away from camera." Frink has A & B orig, overs and outs, script, mag tracks and ancilliary materials.