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AMF Skamper Rally One
Fade in on driver and his wife in a Skamper motor home, Two shot. They are discussing the rally they are about to attend at the Golden S ranch in Monticello, KY. Cut to titles and credits. Overall shots of campers arrivng, parking their vehicles, eating, evening arrives and choir sings "Little Brown Church in the vale." Night shots of tents and campers. FI on pan shot of entire camp area, filled with units; reverse pan and zoom in to CU Skamper unit. Woman cooks breakfast. Family eats. Pull back to LS group. Hobby items--telescope, bicycles, etc. Familes sit in front of their trailers. CU signs. CU folding camper; pan travel trailer; ECU flowers in front of fifth wheel unit; and pull back to show motor home. Camper with straw hat decorated with insignia. American flag flies in front of a trailer. Swap shop time, as the campers browse the displays of items for swapping. Children play in the pool. Girls on horseback. Pan shot of the campsite. CU AMF Skamper new signage. Campers tour fifth wheel unit, ext and int shots. Series of individual trailer units, interior and exterior shots. Slide-in truck units shown, with overhead bunk areas. Folding campers shown, in and out. Display of group with roofs removed to compare layouts. Folding truck mounts, in and out. Model of new motor home. Interior shots motor home and mini-motor home. Display of literature on the Skamper trailers. Children walk across the area, and meet the Skamper president who autographs their programs. Display of sports equipment prizes and awards. Child with basketball, dribbles; group on horseback, pan to archery demonstration. Pan crowd. Archer makes three bulls eyes. Boy on swing. Group on flatbed haywagon for tour. Single boy catches up with group. Horsemen through trees. LS group on truck through field. Boy slides down pool slide. Night shot full pool with swimmers. Square dancers. Night shot. Morning dawns, LS pan full area, CU on trailers and campers. Girl runs through wheat field. Seated group listen to Pat Patterson, leader. Group waves to camera, and walks by. Unusual western costuming. Girl and spectators watch. Campers in costumes parade. Camera zooms in on barn as owner leads group through the camp. Colt with mother. Colt follows as mother is led around the group. CU speaker in straw hat. LS horseman talks to group. FO. FI morning pan of the area. Steak dinner is cooked outside and served to all. CU and LS diners. Sunday service atop the hill overlooking the campsite. Final montage summary. 800' 16m sound color film (beginning to fade, but the A&B rolls are OK) on gray 800' metal reel in 800' brown plastic mailer. Frink (FFV 3) has A nd B rolls, orig overs, mag and opt tracks, script and ancillary materials.
Reefer Madness
Exploitation. Drugs. With Dave O'Grien, Dorothy Short, Warren McCollum, Lillian Miles, Carleton Young, Thelma Whitel. The granddaddy of all worst movies, one of the era's many low-budget Warning! films depicts (in now-hilarious fashion) how one puff of pot can lead clean-cut teenagers down the road to insanity and death. People Kissing passionately. Miles' frenzied piano solo is a highlight, but in retrospect, the overall effect is a little sad. Originally title "The Burning Question", then "Tell Your Children."
Moose 1
Calf and cow browsing in high willows 15:04:06 Calf and cow feed in pond
Moose 1
Cow feeds in water - medium and close up views
Moose 1
Huge bull moose in velvet browsing
Moose 1
Huge bull in velvet feeds in pond - immersed in water, he comes up grandly, resubmerges, looks towards camera. He walks out of pond and away, then breaks into a trot 15:33:44 Huge bull in velvet - browsing
Moose 1
Cow at beaver pond, large pile of dead wood at shore 15:41:54 Two yearling moose swim in pond
Airport Runway Cleaning
Preview cassette # 213135 Four engined airplane lands, camera focused on wheels as its 16 tires hit the runway. Overhead long shot of airport runways as another 4-engine plane lands at 100 miles per hour, tires smoking. Montage of several planes landing. Main titles super on a long shot of the criss-crossing runways. Cut to group of men inspecting runway concrete and rubber. Animation of cutaway drawing of Wheelabrator steel shot blast method. Long shot O'Hare International airport, Chicago, tire-blackened runway in foreground. Cut to group inspecting the original test model Wheelabrator Blastrac Environmental airport runway cleaner in action at O'Hare. CU hand with knife scratches through the rubber buildup to clear concrete. Zoom in on clean concrete as hand rubs over it. Cut to machine removing rubber, leaving clear concrete behind. Overhead long shot of runways with the Blastrac unit cleaning white strip down the middle. Cut to Weir Cook Indianapolis airport, truck in foreground. Long shot cleaning unit cleaning strip. Pavement testing car, with test equipment trailing, passes camera. Close-up operator making test photos. Group inspects the machine in action. Blast unit circles and comes to camera. Cut to full sized custom-built trailer and tractor environmental blasting unit. Cut to night shot, unit blasting when traffic is lightest. Nighttime cleaning of runway 32 Right at O'Hare, w/closeups cleaned areas. CU operator's monitoring view of the cleaning action. (9 tons of rubber removed from 32Right and 22Right at O'Hare.) Long shot, trailer and tractor, Environmental Runway Conditioning equipment. Camera circles the equipment in action, with groups of men inspecting. Pan busload of men inspecting. Moving camera shows cleaned runway. Insert shot high speed camera showing tire hitting runway. B-27 lands. Closing montage summary, titles supered over night shot. Planes land at night. End credits. 400' color sound film on gray plastic Goldberg reel in blue Plio-Magic 400' mailer, labeled. Frink (FFV2) has A & B rolls, track, orig overs, script, ancillary materials available.
Clean Ships - Clear Skies
Industiral film about cleaning agents for the shipping industry produced by Wheelabrator - Environmental Ship Hull Cleaning - Materials Cleaning Systmes Division.
Blastrac Floor Cleaning
A Blastrac is a portable, movable blast cleaning unit made by Wheelabrator Frye. Per R. E. Schalliol, Adv Mgr. "FI on Blastrac logo; it zooms full screen. Dissolve to MCU the Blastrac florr cleaning machine, with operator ahead of it, leaving a clean, wide path in a dirty floor. Narrator: THE BLASTRAC ENVIRONMENTAL SURFACE PREPARATION SYSTEM IS A SELF-CONTAINED PORTABLE AIRLESS SHOT-BLAST UNIT DESIGNED FOR ENVIRONMENTAL CLEANING OF HORIZONTAL CONCRETE SURFACES." Camera moves in to ECU cleaned concrete, then to LS of machine and auxilliary dust collector, the two machines connected by a vacuum hose. Three men are operating this rig. Narrator explains the unit is self-propelled forward or backward by an electric motor and can be operated by one man. Dissolve to unit now turned around and coming to camera, cleaning a second path parallel to the first. TRAVEL SPEED, narrator says, IS 1 TO 37 FEET PER MINUTE AND THE PATH OF THSI MACHINE IS 20" WIDE. Camera moves in to show the cleaned path and the fact that no shot, dust or debris is left on the floor. Camera zooms close to Blastrac logo, then moves down to ECU of floor and unit front. Dissolve to animated sequence of cutaway of Wheelaberator centrifugal blast wheel. Narrator describes the action. Cut to cutaway drawing of the floor cleaning unit; animated arrows follow the cleaning cycle. Cut to MCU as the unit cleans a painted floor and yellow plastic striping tape to bare concrete. Cut to one man operating a smaller unit, cleaning the edge and around pipes of an office. Cut to LS of this edging operation. Cut to hand rubbing across a cleaned floor next to a painted section; zoom down to ECU of the cleaned surface. Cut to larger machine coming to the camera, with operator in FG, and two men kneeling in BG; camera lifts to show that a large area of the floor has now been cleaned. Camera pans and tilts to show cleaned area, the machine in operation. Cut to machine coming at camera. Cut to tight shot cleaned concrete. Diss to WFI logo; logo zooms away from camera." Frink has A & B orig, overs and outs, script, mag tracks and ancilliary materials.
Alcohol: What's in it for Me?
Educational film regarding the horrors of alcoholism amongst teenagers. Formerly distributed by Perennial Education, headed by Henk Newenhouse.
White-Tailed Deer
Superb buck on ridge in deep snow 17:10:12 buck close up between trees 17:10:34 doe browsing barberry bush in deep snow 17:10:43 buck on ridge 17:11:14 buck deer on ridge eats weed stalk 17:11:45 superb buck on ridge in deep snow 17:14:04 doe in deep snow 17:14:44 handsome buck on ridge 17:16:45 handsome buck pose on ridge - super alert, turns and runs down hill 17:17:32 superb buck close alert, zoom out 17:17:56 button buck 17:18:09 buck flehmening, then alert 17:19:39 superb and button bucks in deep snow 17:20:16 buck eating weed stalks 17:20:22 superb and button bucks 17:21:11 buck flehmening, then pose in in deep snow
White-Tailed Deer
Doe digging bed in deep snow 17:27:12 handsome buck deer bound down hill in deep snow 17:27:43 tracks of doe bounding, then walking, in deep snow 17:27:59 squirrel tracks in snow 17:28:17 doe walking in deep snow 17:29:46 button buck walking in deep snow, then bounding 17:30:03 bucks running in deep snow 17:30:18 handsome buck in deep snow, seen running behind trees 17:31:11 deer tracks in snow, including scat 17:34:07 superb buck close and zoom 17:39:09 young deer in deep snow 17:39:59 two young bucks with nice antlers, social grooming and posing in deep snow
White-Tailed Deer
Deer trails in deep snow 00:00:42 White-Tailed Deer (Odocoileus virginianus) superb buck in deep snow 00:02:06 starving doe in deep snow, eating dry leaf 00:02:57 doe bedded in deep snow 00:03:28 starving doe standing in deep snow 00:05:31 young button bucks 00:08:28 doe digging bed in deep snow
White-Tailed Deer
Superb buck deer skylined, close, alerted 00:14:09 two bucks on ridge in light snow 00:14:27two button bucks on ridge 00:14:54 handsome buck on ridge 00:15:41 button buck on ridge closeup 00:17:05 superb buck alerted 00:17:40 handsome buck feeding, posing on ridge 00:18:55 big and little bucks on ridge
White-Tailed Deer (Odocoileus virginianus)
Tape 2014 Part 1 White-Tailed Deer (Odocoileus virginianus) Buck deer antler development (76 days) in spring/summer forest 02:33:14 buck antler development (55 days) 02:33:34 deer with 76 day antler growth browsing amidst foliage in forest
Raptors 1 - Bald Eagle
Raptors 1 - Bald Eagle
Sand Reclamation: A Science Of
ON PREVIEW CASSETTE# 97559 A 04.00.00 Pan antique drawing of workmen casting metal in ancient foundries; dissolve to montage of modern workers casting metal; preparing the mold; bags of fresh sand; shakeout of mold to free the casting and collect the sand; rain leaching chemicals from the sand to the environment; catalysts are added to sand for no-bake molding process; workman packs sand in the mold; finished mold is released from its container; super title over a black mold. Chemicals in laboratory; electron micrographs of sand grains mixed with chemical binders which must be removed to reclaim the pure sand; reclaimed grains free of binder; closeup sand pouring into mold; dissolve to ladle of molten metal and pull back to show the casting process. Animated drawing of sand handling process using heat; animated drawing sand washing process. Long shot molten metal pouring into molds. Animated drawing early mortar mill to prepare sand. CU mortar and pestle reclaiming sand by rubbing. Antique advertisement of Sand Cutter equipment to cut foundry costs. Early still photo workers with sand cutter. Dissolve to modern mechanical shakeout of sand after molding; dissolve to Brown and Sharpe foundry, Providence, RI, one of the first (1960) no-bake foundries in the country, with its huge modern foundry; worker moves large dirty casting by monorail onto turntable which goes into a giant blast cabinet. Dissolve to clean casting coming out of the swing-table cabinet. Foundryman Lou Greenslade explains the process as core knockout and sandblasting are performed simultaneously. Dissolve to TRW Mission Casting Facility, Houston, Texas, using furon-bonded no-bake sand in automatic molding lines. Exterior TRW plant and interiors of the casting lines; flaskless molds transferred to cleaning room; moved to 96" double door swing table blast unit, and 28 cubic foot Tumblast unit. Dirty casting goes into the unit; interior shot of mold being blasted (!) and clean castings coming out. Live and animated sequence shows recycling of sand for environmental good. Animation of centrifugal scrubber abrasive wheel, and sand-sand airwash separator. Tilt down sand silos to equipment at base. TRW vice president T. R. Cochran testifies at his desk, with montage summary of the equipment and workmen. Cut to Daigle-Aqua Founderie Montreal, Quebec, Canada. Montage of foundry process. Foundry manager Alain Casano (sp?) comments; montage, dirty castings on door turntable in and clean castings out. LS, sand pours into molds; CU control panel and LS machine. Pan Utah mountains, and exterior Backman foundry, Provo, UT. molding custom cast pipe sections. Elder and Angus Backman, identical twin owners, comment. Before and after shots of huge pipe castings. Aurora Vertiline casting center in City of Industry, California, working with phenolic urethane bonded sand to cast pump parts. Castings in and out of double-door swing table. CU sand fines, organics and metallics separated from reusable sand. Pan laboratory testing equipment as technician removes crucible from oven. Closing montage summary. Huge clean pipe casting comes to camera. Engineers discussing drawings of newer methods for the future. End credits. 650' sound color print on gray metal 800' reel in brown Plio-Magic plastic mailer, labeled. Frink (FFV2) has A & B rolls, track, orig overs, script, still photos, ancillary materials available.
Wheelabrator Ram Tunnel
A special ram tunnel auto engine block cleaning machine: test run in Wheelabrator's Mishawaka, IN plant per Carter Dreves. "FI on Wheelaberator logo. Dissolve to LS Chevrolet engine mockup of casting line in Wheelaberator test plant as motor blocks are prepared for blast cleaning. Camera moves in on engine blocks in cages on assembly line. CU blocks start to rotate (this is where the blast cabinet will clean the castings as they rotate when his project is installed in the Cevrolet plant); engine blocks spill onto cage line, and become part of line. Cut to CU mechanism which pushes each new block onto the line. Overhead shot as engine blocks joing line. Pan line to show engine blocks spilling out of the mechanism after cleaning is completed. 4 minutes to here. CHEVROLET SPRING PEENING SHOTS FOLLOW: FI on pairs of relaxed Chevrolet auto springs in special trolleys, moving into the assembly line. Side view as springs are flexed for peening by Wheelaberator shot blast. After peening is complete springs are relaxed and move out to make way for next set incoming. (This is a test mockup; springs are not actually peened here) Dissolve to W/A logo. " Frink has original film, overs and ancilliary materials.
Spirit Of 76 Tumblast
9 minute16mm silent color film on special model Tumblast for Lebanon, PA foundry per Carter Dreves, WFI adv "FI on open titles and logo (SPIRIT OF '76 in patriotic red, white and blue) and dissolve to metal parts churning in the Wheelaberator Tumblast abrasive cleaning machine. Dissolve to control panel. Cut to LS of machine, as man pushed empty cart along rails, placing it before the machine. The operator steps to the control panel and opens the Tumblast door. As the door slide upward the camera moves in to CU of cleaned parts; the conveyor belt reverses and the cleaned parts spill onto the cart. Camera pulls back to full view again, as the operator moves the filled cart out of the picture. Cut to crane loading totebox of dirty parts into Tumblast hopper. Crane's jaws bring more parts into the hopper. LS as operator empties parts into Tumblast. Insert of control panel and LS as hopper is lowered. Operator directs audience attention to unit interior, then, in side view, shows conveyor belt detail CU. Interior shot as the conveyor belt moves to rotate the castings. Different view of the hopper loading the Tumblast. CU hydraulic jack mechanism as the hopper is lowered. SPIRIT OF '76 design is emphasized. End credits." Frink has A & B rolls, track, orig overs and ancilliary materials.
Tremont Nail Manufacturing
Old fashioned square nails, and modern nail manufacturing with the help of Wheelabrator blast equipment, Tremont, Mass, per F. Carter Dreves. "Fade in on Wheelaberator Frye logo; dissolve to Tremont Nail Co., Wareham MA logo over shield: established 1809. Camera pulls back to show the sign is on the driver's door of a red delivery truck, with another sign on its side: The Company Store: Visit A Step in the Past. (NOTE: Tremont Nail has been making square cut nails since Revolutionary War days, and still makes them with the original equipment). Camera follows the truck as it drives to the manufacturing building with a sign on top, reads, HARDENED STEEL NAILS. A second take (shorter) from ECU sign on truck to the full exterior plant; camera zooms in to factory entrance. Cut to display of cut (square) nails with caption: HISTORY OF CUT NAILS IN AMERICA. Pull back to see display is held by two men, and pan the factory building. Cut to foliage, pull back to cupola and then to entire building with waterfront and smaller buildings, Early American architecture. Cut to fancy antique sign, TREMONT OLD FASHIONED NAILS and plaque below, THSI PROPERTY HAS BEEN PLACED ON THE NATIONAL REGISTER OF HISTORICAL PLACES; camera pans to door and shows interior of the factory on the lower level, with several nail-making machines in operation, tended by one operator. Cut to CU operator changing strips of metal which are being formed into nails; removes metal stub and replaces it with new strip; puts the strip into the machine's mouth which turns each strip over and over every time, it cuts off a tapered nail, to eliminate waste metal. Camera pans the four machines showing loading, cutting finished nails falling into toe boxes, reloading in a continuous sequence. Cut to red hot nails in annealing oven; the hot nails spill out into water tray below. Two other views of a different operator tending machines; note the pulleys and flywheels, as well as the antiquated--but still operational--machine design. In modern times there is a limited market for square-cut nails, but there is a market, and Tremont still makes them. Cut to different operator feeding larger machines with larger flat stock; tilt to finished nails falling into tote box, and move to CU's of the machine action. Cut to montage of overhead pulleys and belts that furnish power to drive the entire machine room; pan lerger machines as operator loads wider strips of metal for fabrication. Another montage of belts, pulleys and flywheels. Cut to operators face as he tends the machines. Cut to wide metal flip-flopping as it is cut; CU finished nails. View into mouth of machine as metal is being fed into it. CU of metal cutting. Pull back to wide view of wooden pickling plants, covered with chemical rust. Tilt to signs above tanks: ACID, WATER, and LIME. Reverse take, from signs to tanks. END OF NAIL MANUFACTURING SEQUENCE. THE FOLLOWING SEQUENCE IS NOT RELATED. Cut to exterior metal building, showing Wheelaberator dust collector and duct work. Pan to building front, with Tremont Nail Company store truck in front. Cut to interior plant, with forklift truck lifting completed 4'x4' panels from the Wheelaberator delivery stack as workman clears the next stack for pickup. Camera pans the machine and control panel. Cut to lift loading two stacks of panels into the Wheelaberator. Operator starts the machine. Cut to end view as vacuum cups pick up a panel to feed it into a machine. Pan to delivery end, as completed panels are stacked. Last shot shows pickup of panel for entrance to Wheelaberator. "
Variations In Space: The Architectural Sculptures of Richard Lippold
Part 1 on preview cassette 222273A, Part 2 on preview cassette 222273B. VARIATIONS IN SPACE: THE ARCHITECTURAL SCULPTURES OF RICHARD LIPPOLD 2 hour 16mm color sound film, started ca. 1976 and completed in 1986, this is a series of four thirty minute films: Part I NEW MOONLIGHT shows how Lippold became a sculpture, and his early work, including a detailed discussion by Richard on the sculture that defined his carrer--NEW MOOLIGHT. Part II THE SUN gives the hsitory and development of Lippold's masterpiece: Variations on a sphere No. 10, commissioned by the Metropolitan Museum of Art, NYC. Part III THE FOUR SEASONS further develops the architectural sculptures, with emphasis on Lippold's work with master architects, and culminating in The Four Seasons resaurant in the Seagram Building, NYC. Lippold's works around the world are summarized and shown. Part IV WINGS OF WELCOME shows the sculptor in his 80s still actively at work, and follows one of his latest works in the atrium of the Milwaukee, WI, Hyatt hotel. The film concludes with Richard summarizing his life and work while sitting beside MAN, a self portrait in sculpture, and the end titles summarize and locate the scultures shown in the film, and are accompanied by Richard playing the organ he has sculpted in his Long Island studio. This film was planned for public television, and was completed with their encouragement, but in the 10 year period I spent making this film, public television lost interest, and to date the film has never been publicly shown. Richard also changed his viewpoint, from original encouragement and enthusiasm, some financial support, and praise for my editing as we met over the years to shoot, record and screen sections for him, to a request that the film be extensively recut, and sections he felt did not do him full justice be deleted, and finally, after a screening in his own studio with a few friends, and after receiving a copy of the completed film, and a (July 1979) 30 minute 16mm sound color print of an early version, and repeated requests on my part to reedit a second version to his desires, he has shown no interest in the project. Without his support, and without interest from Public Television, and with no interest from educational filkm distributors since government cutbacks in educational film funding, and with other projects occupying my time, I have put this film aside, with regret, and hope someday to reintroduce it to the market. My intention from the beginning was not to produce an art film, but rather to show persons who are not artists what it is like to be an artist, and how one man decided to become an artist, and hiow he achieved his goal. In short,m a film of general interest to a wide audience, and to give the viewer a new viepoint. What it taught me instead is (1) I can make a 2-hour documentary film which maintains an interesting point of view throughout, (2) it is futile to invest time and money in a project for which there is no demand (3) get a commitment, not a promise, when starting a new project for Public Television. It's a good film, though.
Wfi Caterpillar Ram Cage Tunnel Machine
A special Wheelabrator blast unit used by Caterpillar Tractors. "This is ORIGINAL ECO film. Open with WFI logo. LS Caterpillar plant with Wheelabrator ram-tunnle machine. Close in on operating machine. Side view CU as yellow engine block goes into cabinet. Cut ot front view engine block; it's picked up and transported on conveyor belt. The block enters the cabinet. Low shot conveyor mechanism under block. CU elevation of block. Side view block moving. End view blocks on conveyor. View of the unit. Camera pans the line. View of cabinet EXT. CU piston action. INT red cabinet where blocks are blasted. Blocks are pushed through the tunnel. View of hydraulic tubes. LS electrical panel, pan workman with plans. LS engine blocks in line. Engineer adjusts controls. High shot, pan mechanism. INT shot of blocks rotating in blast chamber; blocks are pushed through; CU rotation and engine blocks. Note openings for shot blasting. Huge fork draws engine block out ond onto a conveyor. Pan INT as claw removes another block. Pan hydraulics. Low view of claw. Overhead shot as operator removes block from conveyor. Second take and pan to blocks coming onto machine. Tilt u to Wheelabrator sign. Block is spun. LS of machine. Camera follows twisting hydraulic tubes. Engine block is rotated and moves out to claw ejector. Repeat shot as block is ejected, moves to claw, and is pushed to conveyor belt. WFI logo." Frink (FFV 3) has no print of this... this is the original... Frink does have outtakes, and FFS-AA1220, FFS-AA1285 and FFS-AA1296 are also of this operation, in intial testing setup in Mishawaka and in final operation in the Caterpillar plant. Some of those also show RAM CAGE operation.
Trident Submarine Hull Cleaner
Wheelabrator demonstrating a ship hull cleaner on full size mockup in Elk Grove Village, IL at Barnes & Reinecke plant. "I am submitting (1) 16mm original reversal and (2) 1" video master of that same film. Opens with Wheelbrator logo. Cut to EXT shot of the submarine hull cleaner being towed inot position next to the full-size mockup hull to be cleaned. The unit come to the cam and passes by, showing its full configuration. Worker with phone line watches it from the side. Line is connected to unit's cab. Cut to driver's position, with unique computer control panel. Operator climbs into the cab and begins to move the cleaning head. Cut to continuing scene as arm is extended. Tilt D thearm to the machine. Sky shot of the cleaning head, coming down. The head is rotated to various angles. CU same. The ckeaning head is rimmed with the steel shot picked up and held by the electromagnets. Cut to another view of the tilting head on the arm. Cut to wheels being turned, to show how the equipment can be crabbed and crawled into tight positions. Control box, with worker opening the door to show the INT components. He makes adjustments. Full view of the entire machine. Ground level shot of the side, showing the anchors extended to stabilize the base of the unit. CU of one stabilizer being retracted. Swing to front wheel, then to cab. Side view of the unit moving-- crabbing-- inot position for cleaning. The arm is pulled away from the hull mockup and lifted. LS as the unit is extended; the cab is now seenon its boom arm, and the cleaning head is retracted form the hull. Cam pans over to cleaned strip of hull, with paint and rust removed. The head is lowered, and put into position to clean from base to top. Cam zooms slowly to the had against the hull. The head is now moving up the side, leaving a clean swath below. LS, then MLS as the head is now halfway up the hull side. Pull back to wide shot of entire operation. There is no pollution from this cleaning, as there would be from conventional sandblasting; the metal pellets of the abrasive wheel are picked up by the electric magnets, and dust, scale, paint, etc are vacuumed into waste hoppers for removal. The unit is now at the top of the mockup. CU and pull back. Cut to another LS and tilt U, with head at top. The operator is now seen in relation to the cleaning head. Zoom in on operator and pull back to show the head, now cleaning in a downward path. Zoom into the cleaned section above the head. Cut to ground shot and tilt U the snorkel boom arms. Move in to ECU the head, and see the motor underneath, driving the blast wheel. LS as the head is halfway down. Zoom in to CU the head cleaning. LS and slow zoom in to the cab and cleaning arm as it completed the pass. The ehad is repositioned and lowered. MCU the wheels, and the stabilizers being lifted to move the unit. The unit now moves away from the mockup. Side view of the unit as it crabs inot position to clean the smaller radius hull section. CU of that operation. Zoom in and lull back. Wide shot of operation in cab and cleaning unit at the top of the hull. CU cleaned path. MS as the unit is folded for transportation and pull back to see it driven off. WFO logo, end." Frink has (FFV-8) ONLY a VHS copy, and very little ancillary material. This was shot as a documentary, unscripted, and never completed.