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Displaying clips 625-648 of 10000 in total
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1940s - Ireland - Fishing Catch
Clip: 442295_1_1
Year Shot: 1945 (Estimated Year)
Audio: No
Video: B/W
Tape Master: N/A
Original Film: CS-16-673-5
HD: Yes
Location:
Country: At Sea
Timecode: 01:00:02 - 01:00:38

Three adult Caucasian fishermen in a rowboat; two killing caught fish. Two men rowing while a third is at the bow watching over a caught and killed fish (shark?).

Pale chanting goshawk
Clip: 435107_1_1
Year Shot: 1996 (Actual Year)
Audio: No
Video: Color
Tape Master: 2148
Original Film:
HD: N/A
Location: Africa
Timecode: -

Pale chanting goshawk ON PART ONE

Aviation Epic: Pilot Lands B-52 After Losing Tail
Clip: 429373_1_1
Year Shot: 1964 (Actual Year)
Audio: Yes
Video: B/W
Tape Master: 1721
Original Film: 037-019-02
HD: N/A
Location: United States
Timecode: 00:15:46 - 00:16:46

A near tragedy is averted as heroic Test Pilot Charles Fisher nurses along a crippled B-52 to a successful landing after the vertical stabilizer was torn off. The data he had collected in the five hours he kept the plane aloft before landing will prove invaluable in the study of many mysterious plane crashes. Aerial shot of the crippled B-52 flying over Kansas. It looks like the tail of the plane broke off. CUS - Test pilot flying the plane he has an oxygen mask on. CUS - The control panel of the plane., MCUS - Test Pilot Charles Fisher landing the plane in Arkansas.

White Footed Mouse
Clip: 428123_1_1
Year Shot:
Audio: Yes
Video: Color
Tape Master: 2103
Original Film:
HD: N/A
Location:
Timecode: -

07:37:11 Female White-Footed mouse nursing her babies 07:37:54 Female White-Footed mouse nursing her babies 07:41:56 Baby White-Footed mouse ON PART TWO

New York Legalizes The Lottery
Clip: 425946_1_1
Year Shot: 1967 (Actual Year)
Audio: Yes
Video: B/W
Tape Master: 1761
Original Film: 040-047-03
HD: N/A
Location: New York, New York
Timecode: -

New York State legalizes gambling by lottery, putting the first tickets on sale. It's a monthly million dollar gamble to benefit education. Even losers are eligible for an annual quarter million dollar "booby prize!" Establishing shot - Downtown New York City, traffic and people. MS - People queuing in line to buy a lottery ticket, it almost look's like the inside of a bank. . CU - People dropping their lottery ticket into "what look's like a voting ballot box". Camera pulls away, people are filling out their lottery tickets standing at a tall table. and a man in the background is dropping a ticket into the lottery box.

Impeachment Hearings: House Judiciary Committee, July 25, 1974 (1/2)
Clip: 485617_1_1
Year Shot: 1974 (Actual Year)
Audio: Yes
Video: Color
Tape Master: 10610
Original Film: 203005
HD: N/A
Location: Rayburn House Office Building
Timecode: -

[00.48.11] [Jim LEHRER and Paul DUKE in studio] LEHRER introduces Caroline LEWIS's interview of Rep. Jack BROOKS, D-TX [cut to LEWIS with BROOKS] LEWIS asks BROOKS whether the pro-impeachment side gained today. BROOKS says that many have come to beleive that NIXON's activities were "not in the public interest". praises both DEMOCRATS and REPUBLICANS for their conduct and eloquence LEWIS asks about the pro-impeachment speeches of REPUBLICAN members, whether this will help in the HOUSE floor vote. BROOKS says that the participation of the REPUBLICANS in the impeachment drive will give it legitimacy and not make it seem like a purely partisan affair. Says that he sympathizes with the REPUBLICAN members in their tough decision to cross party lines, that the whole process is "not fun". LEWIS asks if the timing of the President's economic speech is intentionally timed to distract from the hearings. BROOKS calls it "one of those strange coincidences", LEWIS mentions charges that impeachment would damage the office of the Presidency permanently] BROOKS replies that the impeachment would save the Presidency from degradation, and that the system would be stronger afterward. [return to DUKE and LEHRER.] LEHRER takes the chance to defend his TEXAS roots by mentioning that Rep. BROOKS, expected to be the most long-winded speaker, in fact used the least time in speaking of any member. DUKE informs that there are 8 remaining members to speak, hopefully they will be finished tonight. [00.51.28] [cut to shot of committee bench, few members seated, photographers busy] LEHRER describes as key moments in the day the speeches of REPUBLICANS who sided for impeachment, noting that the general debate is closed to finished, which will mean a move to the "nitty gritty" of finalizing the writing of the ARTICLES OF IMPEACHMENT. [00.53.42--pullback from committee room shot to LEHRER in studio, committee room action projected on screen over LEHRER'S shoulder] LEHRER says that the task now is to draw up articles that satisfy the largest number of Representatives, to get maximum REPUBLICAN support for legitimacy in the full HOUSE vote. Introduces two guest commentators, [cut to guests seated] William VAN ALSTYNE and Jack KRAMER, both law professors. LEHRER asks whether the wording of the articles will in fact be crucial to the effort, and whether getting 38 lawyers to agree to anything will take long. VAN ALSTYNE says it may not take long, it appears that the two articles motioned by Rep. DONOHUE at the outset will likely be the core of the final articles, although there will be nitpicking about language, etc. DUKE asks whether, then, the final articles will be broad ARTICLES OF IMPEACHMENT. VAN ALSTYNE says yes, but that within the broad articles there will be specific, narrow counts of each offense. LEHRER asks whether specificity is necessary KRAMER replies that the specificity gives the ARTICLES legitimacy, for example the specific component of ABUSE OF POWER related to the President's violation of his OATH OF OFFICE, raised by Republican members in debate. DUKE inquires about the importance of outspoken REPUBLICANS condemning the President's actions and at least hinting toward advocating impeachment, that there are as many as 5 and possibly 7 pro-impeachment REPUBLICANS on the committee. KRAMER says that it could be significant if those members act as "floor managers" in the full House debate, they could influence many REPUBLICANS to vote against NIXON. Notes that this is 40% of the committee, and that committee REPUBLICANS are generally more conservative than House REPUBLICANS at large. LEHRER says it's also significant that two Southern DEMOCRATS indicated strong leanings toward impeachment. [00.57.38.--cut to shot of Chairman RODINO, preparing to open meeting] LEHRER, v.o., notes that the committee has not been terribly punctual at these hearings. DUKE interrupts to send viewers to LEWIS, with a late-breaking development [cut LEWIS with Rep. Delbert LATTA, R-Ohio] LEWIS asks what LATTA, as a NIXON supporter, has in mind to try to prevent impeachment. LATTA begs to clarify, saying he supports NIXON's policies but that he does not support any wrongdoing. Continues that there has been no evidence presented to definitely link NIXON to any of the subordinates' wrongdoing. That the "American People" will not support removing the President for other people's wrongdoing. Says that he has introduced a CENSURE resolution on the grounds that while NIXON was not aware of the wrongdoing by his associates, he was at fault for not knowing. LEWIS asks whether a mere CENSURE resolution will fly after all of the allegations raised. LATTA says that impeachment won't fly unless the allegations can be proven, asserts that proof is not forthcoming. LEWIS asks how much support he has for the CENSURE resolution. LATTA says it hasn't been discussed much, but that most members against impeachment will probably support it. LEWIS asks if there aren't already enough votes to put the ARTICLES OF IMPEACHEMENT through to the House floor? LATTA says that there is no doubt about that, but a CENSURE resolution could have an effect on the floor vote. [00.59.57] [cut to Chairman RODINO] DUKE (v.o.) comments on LATTA'S idea for CENSURE, hazarding the guess that it might be a "fallback" position for conservative REPUBLICANS, in order to offer a milder alternative to impeachment, a recognition that they can't win in the committee, that it is a sign of the tide turning against the President. Notes that there have been rumors about censure resolutions, which are unprecedented for a President. [01.01.06--shot of large group of photographers, lenses pointed toward TV camera] LEHRER notes Rep. LATTA'S openness about the fact that the CENSURE resolution would be aimed at influencing the full House Floor vote. [01.01.14--pullback into studio, LEHRER seated, committee room action projection on monitor] LEHRER states his gratefulness to have two legal authorities in the studio to comment on the developments Asks what the legal precedent is for a censure motion against the President. VAN ALSTYNE says there is frankly very little precedent. Says a good academic might try to assess whether Congress can strike a medium ground of reproof, but that his opinion is that it ought not. Says that in one previous case, probably that of Andrew Jackson.... [01.01.47--cut to Chairman RODINO, gaveling] LEHRER, v.o., cuts off VAN ALSTYNE. Chair recognizes Rep. Charles RANGEL, D-NY Rep. RANGEL begins by thanking the Chair for including less senior members fully in the debate. [01.03.59--TAPE OUT] )

Liberace Show #36, Master 310
Clip: 485650_1_1
Year Shot:
Audio: Yes
Video: B/W
Tape Master: 4535
Original Film: MPI 183
HD: N/A
Location: TV Studio
Timecode: -

Selections: SAN FRANCISCO SHOW "Chinatown" "Come Back to Sorrento" "Cocktails for Two" with vocal "Carioca" "Intermezzo" "I Can't Give You Anything But Love" with vocal

Liberace Show #37, Master 311
Clip: 485651_1_1
Year Shot:
Audio: Yes
Video: B/W
Tape Master: 4536
Original Film: MPI 188
HD: N/A
Location: TV Studio
Timecode: -

Selections: "12th Street Rag" LIBERACE'S RIPLEY'S BELIEVE IT OR NOT CHALLENGE "Consolation" "As Time Goes By" with vocal (FEATURES LIBERACE AS AN OLD MAN, THANKS TO MAKE UP DEPARTMENT) "Tonight" (a Latin song) "Harp Etude" (Chopin) "Exactly Like You" (FEATURES SPLIT SCREEN OF TWO LIBERACES PLAYING PIANOS): Liberace performs "Exactly Like You". Lib tries to appease both the jazz and classical lovers of the audience by doing two versions of the same number, here executed by dueling superimposed Liberaces. The classical Lib is the traditional Lib in tux and tails, while the jazz Lib is dressed in a white dinner jacket and a hipster attitude (makes literal physical suggestions that the other Lib is square and not with it). They hardly tolerate one another. Amusing, funny segment.

Liberace Show #38, Master 312
Clip: 485652_1_1
Year Shot:
Audio: Yes
Video: B/W
Tape Master: 4537
Original Film: MPI 199
HD: N/A
Location: TV Studio
Timecode: -

Selections: "Spring Fever" UNknown Title "They Didn't Believe Me" with vocal "Jealousy" "Military Polonaise" (Chopin) "Ol' McDonald's Band (Farm)" with the George Liberace Band

Liberace Show #39, Master 313
Clip: 485653_1_1
Year Shot:
Audio: Yes
Video: B/W
Tape Master: 4538
Original Film: MPI 199
HD: N/A
Location: TV Studio
Timecode: -

Selections: "Mama Querido" "Sophisticated Lady" WITH A DON LOPER FASHION SHOW APPEARANCE BY LIBERACE'S MOTHER "You Made Me Love You" with vocal PROMO FOR BANKING Unknown Title "Paderewski's Minuet" "There'll Be Some Changes Made" with vocal

Liberace Show #40, Master 402
Clip: 485655_1_1
Year Shot:
Audio: Yes
Video: B/W
Tape Master: 4539
Original Film: MPI 176
HD: N/A
Location: TV Studio
Timecode: -

Selections: "Almost Like Being In Love" with vocal "Rustles of Spring" "April and You" with vocal "Two to Tango" with dancers "The Ritual Fire Dance" (Liberace introduces the spooky tale behind the story: re-enactment; gypsy dance; flaming piano!) "Boogie Woogie"

Liberace Show #41, Master 401
Clip: 485656_1_1
Year Shot:
Audio: Yes
Video: B/W
Tape Master: 4540
Original Film: MPI 168
HD: N/A
Location: TV Studio
Timecode: -

Selections: "I've Been Working On the Railroad" vocal by Liberace and Band "My Old Kentucky Home" "Sentimental Journey" with vocal LIBERACE INTRODUCES THE BAND "El Cumbanchero" "First Movement-- D Minor Sonata" (Beethoven) "Yakety Yak Polka"

Liberace Show #42, Master 403
Clip: 485657_1_1
Year Shot:
Audio: Yes
Video: B/W
Tape Master: 4541
Original Film: MPI 168
HD: N/A
Location: TV Studio
Timecode: -

Selections: "Start the Day With a Smile" with vocal LIFE MAGAZINE ARTICLE "Minute Waltz" (Chopin) "I'm Loved" with vocal "Tico, Tico" "Greig Concerto in A Major" "Beer Barrel Polka"

Clip: 442297_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 674-1
HD: N/A
Location:
Timecode: -

"Ireland" reel 3 - countryside, night time ceremony (religious)

Clip: 442298_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 674-2
HD: N/A
Location:
Timecode: -

Ireland - B & W copy of stuff in 673

Clip: 442299_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 675-1
HD: N/A
Location:
Timecode: -

Rome, misc,

Police station and police
Clip: 442300_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 675-2
HD: N/A
Location:
Timecode: -

Police station and police

Clip: 442301_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 675-3
HD: N/A
Location:
Timecode: -

ON PREVIEW CASSETTE # 97486 B Misc. Rome - statues, architecture

ROME
Clip: 442302_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 675-4
HD: N/A
Location: ITALY
Timecode: -

Fountains - Rome. ( Architecture, statues, trolly )

Clip: 442303_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 675-5
HD: N/A
Location:
Timecode: -

Rome 1940's

Rome - St. Peters
Clip: 442304_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 675-6
HD: N/A
Location:
Timecode: -

Rome - St. Peters

Clip: 442305_1_1
Year Shot:
Audio: No
Video: Color
Tape Master: 0
Original Film: 675-7
HD: N/A
Location:
Timecode: -

Rome - city street

Clip: 442306_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 675-8
HD: N/A
Location:
Timecode: -

Rome - misc. Roman ruins (TRANSFERRED TO PREVIEW #97885)

Clip: 442307_1_1
Year Shot:
Audio: No
Video: Color
Tape Master:
Original Film: 675-9
HD: N/A
Location:
Timecode: -

ON PREVIEW CASSETTE 97486 B Ancient - Rome

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