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Chicago, Illinois
Preview Cassette 220546 Chicago, Illinois Bahai Temple, Wilmette, Illinois
Chicago Grant Park
Preview Cassette 220546 Chicago Grant Park - 1970 Looking down Michigan Avenue, pan over to Grant Park. Young people sitting on the grass, having picnic. Other people resting. Young people napping on bench.. These could be students from the Art Institute or young office workers from the loop. Old men sittingon a bench. Groups of sailors taking in the sites. Highrise buildings seen from the park.
Chicago
POV driving along busy Michigan Avenue, passing the Art Institute of Chicago on the right (circa 1959). Michigan Avenue bustling with taxi cabs, buses & delivery trucks. GV pedestrians crossing street headed in the direction of the Wrigley Building seen in BG. 4K UHD transfer also available (not represented in screener here)
Chicago
Preview Cassette 220546 Chicago - Aerial view of buidlings, possibly from a the Hancock building. Ground level shot of Prudential building.
Aerial Chicago lakefront
Preview Cassette 220546 Aerial Chicago lakefront
PREVIEW TAPE# 210280 Marine memorial (Iwo Jima)
The Art Institute of Chicago
TLS pedestrians walking in front of Michigan Avenue entrance to the Art Institute of Chicago. MS people seated on steps. MS GV visitors on the steps of the Art Institute. GV traffic on Michigan Ave. Low angle MS American flag flying on pole. GV buildings and traffic on Michigan Ave.
Aerial Kansas
ON PREVIEW TAPE 992009 Aerial Kansas
Chicago
Chicago
The Art Institute of Chicago
Exterior GVs "The Art Institute of Chicago" on building facade. MS lion entrance statue in silhouette as young woman passes out flyers on the street. Traveling shot past Michigan Avenue entrance with the lion statues.
Aerial Kansas
ON PREVIEW TAPE 992009 Aerial Kansas some shots shake alot, like watching modern tv editing
Michigan Art
Michigan Art fair '30's
Field Museum - Chicago Skyline
Preview Cassette 220546 Interior of Field Museum of Natural History. Stanley Field Hall with taxidermy elephants. Exhibit case with a portion of a tree. Exhibit cases with gems and minerals. Exhibit cases with taxidermy birds. Pacific Island regalia in case in Stanley Field Hall. Elepahnts in Stabley Field Hall. Pan across Grant park, with Petrillo band shell. Skyline in background.
On CS-16-562 Reel 1 Eating, drinking, sailing, etc. White guy dressed as Satan cooks for two middle-aged white couples. Numerous shots of boats being unloaded on docks, feighters and ships sailing on Mississippi River, passing ports, etc.
The Big Easy
New Orleans (1977): Bourbon Street, street scenes, tourists, topless clubs, Absinthe Club, street sign at intersection of Bourbon & St. Louis streets,
July 29, 1994 - Part 5
(16:55:37) Senator SARBANES. Fine. Thank you very much, I think that an. swers that point. I just want to make a couple of observations, Mr. Chairman The Chairman. Senator Sarbanes Senator SARBANES. -because I know we are late in the day. First of all, I must say to the two Park Police that others have commented about the difficulty of your job. I find it difficult to cornprebend arriving at someone's home to tell them-it's a little bit like what Senator Murray was saying-telling them that a suicide has taken place, and that their husband or father is gone; and then -- I understand what you were trying to do-but then to proceed into an investigation. It just seems to me that the emotional reaction to the news, the shock of it, and the horror of it, and the tragedy of it is such that it would make the questioning very difficult to handle. I would think that the sort of responses that Senator Murray outlined would be natural responses, and I am frank to say I understand an effort to delay a public announcement in order to get to the man's mother so she does not learn about it over the television. I think that is quite understandable. Now, Ms. Braun, Senator Mack said to you "is it usual to have statements of the death of a victim released by the White House" and you said "no." Correct? Ms. BRAUN. Well Senator SARBANES. Let me ask you this question, It is not usual to have a suicide victim who works at the White House, either, is it? Ms. BRAUN. It is very unusual. Senator Sarbanes. Now let me ask you, Mr. Rolla, about these personal effects. I take it the key to the locker was in your desk? Is that the fact? The personal effects were in the locker? Mr. ROLLA. They were in a locked locker, and I had the key. Senator SARBANES. You had a key, and there was another key to the locker in your desk? Mr. ROLLA. There was one key to the locker, and that was locked in my desk. I had two keys to my desk. Senator SARBANES. OK Mr. ROLLA, One was with me, and other I forgot that I had saved and locked in a briefcase at work. Senator SARBANES. So this, quote, sort of "breaking into your desk," that was just to get the key to open the locker? Right? Mr. ROLLA. That is correct. Senator SARBANES. Now you recalled that you had another key down there? Is that right? Mr. ROLLA. Right. Senator SARBANES. Where was that key located? Mr. ROLLA. After I got through the original phone calls and it started to sink in, I remembered I had a second key to my desk. It's in a briefcase I keep at work that had a combination lock. I 107 gave them the combination to the briefcase so they could retrieve the other key. Senator SARBANES. So they got the key out and got the personal effects out of the locker. Mr. ROLLA. Correct. senator SARBANES. You bad no problem with returning the personal effects because everything in the personal effects that you thought was relevant to the investigation you bad made either copies of or notations of So you had the information that you thought might be relevant or needed with respect to the personal effects? Is that correct? Mr. ROLLA, I had the information I needed, but in another circumstance I wouldn't have returned the personal effects then, that way. I would have saved it for myself to return. It gives me a second opportunity to meet with the family and talk to them and reinterview them about other things. SenatorSARBANES. I see. Mr. ROLLA. That was not my first choice to do that, but again I was at home and had not much say in the matter. SenatorSARBANES. OK. Thank you very much. The CHAIRMAN. Senator DAmato. Senator D'AMATo. Mr. Chairman, I have not engaged in any questions as it relates to this aspect of our hearings and our witnesses, but I would just like to make an observation. It seems to me the kinds of things they have told us and reported to us are things that we could absolutely understand, or at least this Senator could. I mean, the fact of a death, the body being found, a I loved one, I wouldn't let you speak to my sister or my friend. I would tell you this isn't the time. I think you have to understand that. I certainly do; and I believe that to be the case. I think to try to read any more or any less into that aspect would do us a disservice, to be candid with you. I think sometimes we have a tendency when we look at things, literally what do you mean, et cetera, when you give your depositions the scene that is described had to be horrific. It bad to be horrifie for that family. Web Hubbell I have no great grief for, but Sheila Anthony was his comrade, his friend, his sister's friend, worked with him, and would see Kim coming in and putting his arms around and saying come on over here. I certainly do not think he meant to be abusive and I think Ms. Braun recognizes that. \
Thurgood Marshall to the Supreme Court
"Thurgood Marshall, great-grandson of a slave and the first African-American to serve on the U.S. Supreme Court, tries on his official robes. President Johnson named him to replace Justice Tom Clark. He is honored by his Asian wife and family." MS Justice THURGOOD MARSHALL standing with his wife and children in his chambers, second wife Cecilia Marshall (Cecilia Suyat) helping him button his robe. CU Thurgood Marshall in judicial robes. MS Thurgood Marshall posing in robes with Cissy & two sons.
U.S. Oil Company Warehouse Burns
"A U.S. oil company warehouse goes up in flame in San Juan. Fearing a political firebombing, officials later determine the fire's origin accidental. Damage comes to a half-million." Great TLS thick plumes of black smoke rising from burning building, electrical transformers in FG. TLS smoke, burning building, American & Puerto Rican flags flying from flagpole in midground. MS flames & smoke. MS firefighters dragging firehose, spraying water. Panning TLS burning cars amongst wreckage. More shots fire, smoke, firefighting efforts. Over the shoulder MS newsreel cameramen filming fire.
Jewish New Year
"All of Israel ushers in the Jewish New Year with ceremonies by the faithful at the ancient Wailing Wall in the Holy City of Jerusalem. Prayers of joy and thanks are offered." TLS/MSs Jews praying at Wailing Wall; pilgrims walk toward it, praying at base. TLS/MSs Jewish women touching Wailing Wall.
Jackie Kennedy at Expo '67
TLS/MSs former First Lady JACQUELINE KENNEDY visiting Expo '67 in Montreal, large crowd following her every move. Jackie visits the American Pavillion, escorted by uniformed United States marines. Less than a year later she married Aristotle Onassis.
July 29, 1994 - Part 5
(17:01:33) It is easy to be startled, et cetera, but it is only as it relates to that aspect. That is what it seems to this Senator. I want to tell you, obviously given the significance of the person who died, given the significance of all those people who knew him, given the President coming in, I mean this certainly was not usual. It was totally unusual. We have to recognize that, regardless of who the personalities were in any one of those situations. So I would just tell you I think you did a good job under unusual circumstances. Any kind of death in this manner is horrific, but Giving the extra dimension surrounding it, I want to commend our Officers. 108 Dr. Beyer, listen, you operate under tough circumstances. I think sometimes some of our most important agencies get short shrift. You do not really recognize how important the coroner's bureau is,, We have got Leslie Lukash in my County who has been there I don't know how many years. He is an institution. You probably know him or have heard of him, and he continually -has to fight that battle to get adequate funding. But it does, given the nature and the seriousness of this case and all the circumstances surrounding it, give cause for people to as well, bow come some of these things weren't done as they should be or bow it appears it was done. In closing, let me say for the record, Mr. Codinha, Mr. Chertoff, those are our two counsel, and the Chairman have been extra ordinary in attempting to give us the opportunity to raise the kin of questions that should be raised, and I think we have gone to lengths to provide comity. I hope that we can continue, and I think we can. It is important for this institution and for the Committee. It is important for the' job that we undertake that we work in that manner. I We have our little back and forths as it relates to some politics that come in. We have not been without our own overstatements' at times, this Senator included, but the fact of the matter is it does' not mean that we should not grant to each other the kind of lati tude that extends to people working together in good faith and in a good faith effort. I have to tell you, I have seen that good faith,,' effort over and over again. So I want to tell you, Mr. Chairman, I appreciate the comity Of your staff. I cannot say this all the time as it relates to the other," side of the aisle because, politically down on the Floor, we have our: tugs side and battles, and Lord knows I am in there too on the other But I have to say that as it relates to the charge that we have from the Senate overall, you have been extraordinary in attempting' to deal with our concerns. I just think that has to be said. The CHAIRMAN. Thank you. I think everyone has worked coopera- tively. There are multiple points of view, but I appreciate the co- operation. I appreciate the work of the professional staff, I might just say, particularly to this panel, that the staff that has been assisting us. has been working 7 days a week, You folks have gone out on those' kinds of details. So everybody is a little tired just in terms of preparing to meet our start date which was mandated to us of today.' So I want to thank everybody for the record. There will be points at which there are some differences of opinion that have to be reconciled, and that is the nature of things. I think if we can continue to do it with good will and understanding and listening to one an-, other, we will get our work done and people will know what they need to know, and we can do a thorough and complete job. Thank you. Does anybody else seek recognition? [No response.] (17:05:24) The CHAIRMAN. Gathering not, then the Committee shortly will stand in recess. Let me also, before I adjourn, take this report the official bound report of the Independent Counsel on the Subject 109 Vincent W. Foster, Jr., and make this an official part of our record. Without objection. The Committee stands in recess until Monday at 10:30 a.m. [Whereupon, at 5:05 p.m., the hearing was recessed, to reconvene at 10:30 a.m., Monday, August 1, 1994.] (17:05:55) Commentary of Whitewater coverage hosts KEN BODE and NINA TOTENBERG, they also interview Senator PETER DOMENICI (17:28:29) WETA logo, PBS funding credits
Fragmentation Plant
"The first of England's four Fragmentation Plants goes into action, reducing old, abandoned automobiles to small pieces of metal scrap in fifteen seconds. It also handles all waste metals like a giant sausage grinder." TLS/LSs metal grinder in a metal reclamation plant (junkyard); large pile of junk metal; a crane's claw drops a car into the grinder. MSs scrap metal rolling over large drum & onto conveyer belt that carries it upward, and then drops it into a waiting train car. A tractor affixed with a magnet lifts metal from a pile, swings right, and then drops it into a train car. TLS crane outfitted with magnets dropping scarp metal into railcar. MS magnet swinging about, picking up scrap, dropping it into car.
Fashions
Man-made fibers are spotlighted in a fashion show which has plastic-striped, see-through coats; micro-mini's with peek-a-boo side panels; cullotte suits; fur coats....and the "Victorian Look". Back tied fashion seekers stand while a model parades before them wearing a back and silver sequent coat. Unzipping it, she pulls it apart like a shell. Another model comes before the fashion seekers wearing a hooded cloak. Skipping it off, she reveals a skimpy black dress with a flower lapel between her breasts. The third model is rather "mannish," and walks down a runway, and onto a rotating box. Camera tilts upward from toes to head. The fourth model stands airing out her armpits with her hands in the air. Her dress is see-through on the sides. Sixth model wears a white fur coat with plastic knee high boots. The seventh model is middle aged, and wears a puffy Victorian styled harems dress.